The Microphone Box
I have approached this with the view that there is no budget
in place although I have tried to buy a compact kit with multiple uses for
“workhorse” mics and choices of mics to use with which application.
Instruments / instrument groups I would like to be able to record effectively
Vocals
Drums (various drum kits components)
Bass guitar amp
Electric guitar amp
Acoustic Instruments
Brass / Reed section
Piano
Drum Mics
Sure SM57 for
Snare Drum
AKG D-112 for Kick
Drum
Neumann KM84 (x2) for
overheads
Sennheiser MD421 / Sure
SM57 (x2) for Toms
Bass Guitar Amplifier
Mic
Sennheiser MD421 / AKG
D-112
Electric Guitar
Amplifier Mic
Sennheiser MD421 / Sure
SM57
Vocal Mic
Neumann U87 / Rode NT5
Extra Mics (for
drums, cabs etc to give alternative sounds)
Sure Beta 58A
Brass / Reed Mic
Sennheiser MD421 / Neumann
U87 (for ambient recording) / Sure SM57’s (for reed)
Piano Mic
Rode NT5 (pair)
Acoustic Mics
Neumann KM84 (x2 /
Rode NT5
Because the Dynamic SM57 is renowned for its rugged
construction it is excellent for use with high sound pressure levels such as
mic-ing up a guitar amp or on toms or snare drum. It can also be used for kick
drum although there are better examples as the bass response has a sharp cut.
It’s brighter top end can also be used for reed instruments (oboe etc) to help
them cut through a mix more effectively. I would be buying 7 of these as I
would use them for reed, guitar amp, snare and toms and possibly for more general
use where a particular sound may be desired that the preferred mic’s cannot
provide. Because it is a Cardiod mic it
means it is good at rejecting sound from other directions which means it’s
great for recording drums as it will not pick up too many sounds from other
parts of the drum kit.
AKG D-112 (x2)
This robust Dynamic microphone is excellent for kick drum
and the frequency response pattern shows a bass boost which will help the mic
make the kick drum sound powerful. It is also a good alternative for mic-ing
bass guitar amps for the same reasons. There is also a boost (although it cuts
off rapidly at the very top end) in the top ranges that help it to sound crisp.
I would buy two of these, one for kick drum and one for bass guitar amps if an
alternative is desired. The D-112 is also Cardioid helping to prevent sounds
from other parts of the drum kit bleeding into the kick drum recording.
Neumann KM84 (x4)
The KM84 is a Cardioid condenser mic which means its
directional and very sensitive, using phantom power. The KM84’s biggest
strengths are its very flat mid range with only a little bit of a cut in the
bass range. This means it’s ideal for close mic-ing acoustic instruments or
overheads as they give a natural sound and yet can focus on the sound wishing
to be captured. Positioning is crucial as they usually need to be positioned
the same distance away from the instrument as the size of the sound producing
part of the instrument being recorded. This is only a suggestion as the ears
and the overall track will be the best judge of method. These mics are often
sold in pairs.
Sennheiser MD421 (x4)
The dynamic cardiod pick up of this mic is perfect for mid
range applications with a boost to the higher ranges. This means it is good for
bringing instruments brightly through the mix. It also has a large diaphragm
and is robust meaning I could use this for many differing applications. In particular
I would be using this for brass, toms and for bass and guitar amp recording.
Neumann U87 (x2)
The Neumann U87 is a large dual diaphragm condenser mic
which is very sensitive and perfect for vocal recording. The bass response
drops off but this can help counteract the bassy-ness that vocal mics can
produce when using them close to the mouth. It’s been a standard for years and
while it will not suit every singer, it’s ideal for most. I have plenty of
options in my box already if necessary but this mic will give most singers the
feeling that they are using quality equipment.
Rode NT5 (x2)
The Rode NT5 is a small diaphragm cardiod condenser mic
which means it is sensitive yet accurate when pointed directly at the sound
source. It can be used for vocals but is also ideal for recording acoustic
instruments such as violins or acoustic guitars. I personally have used a small
diaphragm cardiod condenser mic for vocals and acoustic and while it was a
cheap model it did produce good results. I would also use these mics for
recording piano as two pointed inside the piano itself would get a good range
of frequencies without too much room reverberation. They can also perform quite
well when used on drum overheads so provide a good alternative to the KM84.
They are sold in a pair.
Sure Beta 58A (x5)
This is the mic I use for recording and live although this
is mostly because of its cheaper price rather than its effectiveness in all the
situations I use it for. However, it is robust and versatile. It’s recognisable
to most singers as it’s based on the incredibly popular Sure SM58 and can be
used for rock vocals, for mic-ing up guitar cabs and drums (although not kick as
a rule). A great all purpose addition and also helps inexperienced studio
singers to feel at home.
So, first piece of coursework online. Boy did I have fun trying to get this on here. I'm fine editing complex documents but this editor has a mind of its own, or at least a mind unlike mine.
I'm sat in the college library at the moment listening to Alison Krauss singing about her and her sisters going down. Sounds erotic perhaps but actually its more serene and from the Oh Brother Where Art Thou soundtrack. It's the song they spoiled by using for a road safety advert.
Last night I started a new song on my old software just so I keep getting stuff done while I learn. I'm pleased with my very first sequencing project though. It's got an Asian vibe (lots of Indian drumming and chinese instruments) and I may just polish it up. I've never produced an instrumental before, maybe because I like the sound of my voice too much but there's a first time for everything and perhaps this is it. Who know...?
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